June 18, 2021
In this picture, colorized by Steve Foster, Charles Laughton and Elsa Lanchester, who were married from 1929 until Laughlin’s death in 1962, pose. The couple appeared on stage together, acted in 12 films together, and sang “Baby It’s Cold Outside” for a radio program in 1950 (they also sang the song for the NBC show Startime on March 15, 1960. Laughton is one of Daniel Day Lewis’s inspirations; he has said, "He was probably the greatest film actor who came from that period of time.” Lanchester appeared in nearly 60 films, starting with silent films, and she was also in numerous television shows.
The couple took different routes to become stars. Elsa Lanchester, who had studied dance as a child, got her start performing in theater and cabaret after World War I. This led to serious stage work. Charles Laughton, on the other hand, was trained at the Royal Academy of Dramatic Art, and his first stage appearance came in 1926. In 1927, Lanchester and Laughton first met, when they were cast together in a play by Arnold Bennett, Mr. Prohack. The two began dating after that, and they married in 1929.
She Was Frankenstein's On Screen Wife
Lanchester’s film career began before the pair met, starting in 1925 in The Scarlet Woman, and in 1928, she appeared in three silent shorts: Blue Bottles, Daydreams, and The Tonic. All three were written for her by H.G. Wells and directed by Ivor Mongagu. Laughton also appeared in each of them, and they marked his first film roles. She also appeared with Laughton in Comets, a film revue in which they sang a duet: “The Ballad of Frankie and Johnny.” Lanchester was also in some of the first British talkies, including Potiphar’s Wife (1931) with Laurence Olivier. Laughton, meanwhile, was making his first appearance in the United States that year, at the Lyceum. He returned to the U.K. for the 1933-34 season, where he acted in four Shakespeare roles. In 1933, Lanchester and Laughton acted together again in The Private Life of Henry VIII. Laughton had his Hollywood debut in The Dark Old House (1932) with Boris Karloff, followed by Devil and the Deep with Gary Cooper and Cary Grant. All told, Laughlin appeared in six Hollywood films in 1932. After his return to England, he played one of his better-known roles, as Captain William Bligh in Mutiny on the Bounty (1935). However, he had numerous other Hollywood appearances and decided to move with Lanchester to Hollywood in the late 1930s. Once there, Lanchester played small film roles, although her recognition really came with her role as the title character in Bride of Frankenstein (1935).
Acting In Two Countries
Lanchester and Laughton returned to Britain, where they appeared together in Rembrandt (1936) and Vessel of Wrath (U.S.: Beachcomber, 1938). In 1939, they went back to Hollywood, and Laughton made The Hunchback of Notre Dame. Throughout the 1940s and ‘50s, Lanchester had supporting roles, starting with Ladies in Retirement (1941), although she did have top billing for the only time in her career, in Passport to Destiny (1944). She was also on stage at the Turnabout Theater on Hollywood, performing her vaudeville act and singing somewhat racy songs; she eventually released recordings of these songs. Lanchester was nominated for the Academy Award for Best Supporting Actress in Come to the Stable (1949) and Witness for the Prosecution (1957). The latter marked her final appearance with Laughton, and Laughton was nominated for Best Actor for the film. The couple also appeared together as a husband and wife, Charles and Elsa Smith in Tales of Manhattan (1942), and they returned to the big screen in The Big Clock (1948). After Laughton died in 1962, she began acting again, appearing in Mary Poppins (1964). Blackbeard’s Ghost (1968), and the horror film Willard (1971). She was in her final film, Die Laughing, in 1980.
At The End
In 1983, she released an autobiography, Elsa Lanchester Herself, in which she claimed that she and Laughton did not have children because he was a homosexual. His contemporaries have corroborated that he was bisexual rather than homosexual. However, Laughton’s friend Maureen O’Hara has stated that his sexuality was not the reason they had no children, claiming that Lanchester had had a botched abortion during her early career and Lanchester’s biographer Charles Higham stated that they didn’t have children because she didn’t want any. About two and-a-half years after her autobiography was released, Lanchester suffered two strokes and died in December, 1986.